- Improvisations can be tailor-made to fit an interval of indeterminate length or to cover the unexpected.
- Improvised music can relate thematically to what has immediately preceded it.
- Improvisation skills are a confidence builder; you are not totally reliant on the printed page.
- Improvising is a creative tool and outlet that enables ideas to be immediately tested and conveyed.
Aims and content of the improvisation sessions
Improvisation is not a mysterious and separate art in which only a very select few can excel; with practise and a critical ear, all organists can create improvised music of value and relevance to their situation, and in a variety of styles. A short, well-constructed improvisation consisting of very simple but telling ideas is worth far more than a shapeless and wandering one overladen with padding or empty gesture.
Moreover, improvisation is inextricably linked and informed by existing skills, studies and knowledge, such as composing, keyboard harmony, performing the repertoire and knowledge of musical styles and their historical development.
In the session we will explore how to:
- Shape phrases, and with particular reference to meter.
- Work within different historical styles, and with particular reference to harmony.
- Identify and develop suitable thematic material, for example from a hymn or anthem.
- Create coherent structure and direction with defined beginnings and endings.
- Overall, create music that is memorable and engages the ear; not mere ‘fillers’ or amorphous and forgettable musical wallpaper!
For this we will work with a mixture of flexible templates tailored to all levels of experience in improvising; also, ‘free’ improvisations in whatever styles the participants are most familiar and comfortable with. Written materials with musical examples will be provided for use within the session and for further reading.
To sign up for this class, contact Dr K. Pardee
